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The Boyhood of Raleigh
''The Boyhood of Raleigh'' is a painting by John Everett Millais, which was exhibited at the Royal Academy in 1871. It came to epitomise the culture of heroic imperialism in late Victorian Britain and in British popular culture up to the mid-twentieth century .
The painting depicts the young, wide-eyed Sir Walter Raleigh and his brother sitting on the beach by the Devonshire coast. He is listening to a story of life on the seas, told by an experienced sailor who points out to the sea.〔(Tate Gallery, The Boyhood of Raleigh )〕
==Origins==
The painting was influenced by an essay written by James Anthony Froude on ''England's Forgotten Worthies'', which described the lives of Elizabethan seafarers. It was also probably influenced by a contemporaneous biography of Raleigh, which imagined his experiences listening to old sailors as a boy. Millais travelled to Budleigh Salterton to paint the location.
Millais's sons Everett and George modelled for the boys. The sailor was a professional model.〔J.G. Millais, ''The Life and Letters of Sir John Everett Millais'', vol 2, p. 17-19.〕 Millais' friend and biographer, the critic Marion Spielmann, stated that he was intended to be Genoese. He also argues that the sailor is pointing south towards the "Spanish main".〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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